I accidentally pressed the mute button! And the TV went
silent........ only action, no sound......and it was then that I realized what sound meant to a film and even more what background score meant…It
brought back a memory of a film with the most unusual background score. Kahte
Hain Mujhko Raja, a 1975 film with Biswajeet as the hero, fighting Shatrughan
Sinha the villain. Those were the days when the words Dhishoom & Dhishkyaun a
punching sound effect was used in fight scenes and the sounds were clearly
dubbed by a human. However in this film
the filmmaker decided to get unique. After all Dhishoom, is a sound when you
hit with your hands, so he thought what should be the sound effect if you
are kicking the villain with your shoes…and so there goes Biswajeet to the man-made
sound of “Boot, boot” ……and goes on to alternate between Dhishoom and Boot Boot. I almost
collapsed in my seat laughing. No, I am not lying cause I never ever forgot this!!!
Like a good comedy, I do believe that timing is
everything. It is the background score that makes you ready
to feel and anticipate what we can't see yet and then our imagination begins to take flight and makes
up the rest. The score send chills down the spine making the hair stand on end as the different sounds, like that of thunder, a creaking chair, or
footsteps on wooden staircase, which of course by themselves are not frightful
but when combined with these effects manipulates the mind to anticipate and maximize
the terror unfolding on screen. This in itself then becomes another ball game.
Those were the days when sounds of walking down a staircase for example,
were made by people stomping their feet or coconut
shells cut in half and stuffed with padding used to make horse hoof noises
in a recording studio. Then there also came Hitchcock's deadly film “Psycho” that
changed the sound of horror music, and the famous stabbing shower scene became
a must in every horror film made in Bollywood. I remember one such funny shower scene
from Purani Haveli or one maybe its another Ramsay Bros film (I forget the name but the not the scene) which I must share. Of course its a shower scene where the deadly half-cut
hand comes crawling out of the batroom drain to the clanging of the
drain cover, crawling across the floor, until it strangles the bathing beauty (ha ha ha)!!! With every moving scene background score became relevant whether
it was the
traffic noise, a running train, a screeching car, slamming of doors, swishing
of curtains, gunshots, rain, thunder,
lightning especially those for the fight and rape scene so Bollywood. Sholay is
perhaps the best film to understand background score. How can one forget that
outstanding scene where Gabbar kills
the family and Master Raju stands turned to stone with the swing swinging to and fro as Gabbar rides his horse downhill
with the clip clop sound creating a
sense of one actually being there and feeling the pressure and fear? Or when
glass bottles are broken for Basanti to dance on or the very first scene when
the train pulls into the station? Without these crucial background noises,
our films would feel unnaturally quiet and feeling-less. And who can forget that
piano, a permanent fixture in the haveli, playing ominous tunes in the dead of
night or the tinkling sound of the chandeliers swaying back and forth. Who can forget
the empty swing of the film Mahal or
the white saree-woman walking around the haveli with candelabra in the hand to
deadly background scores or songs. On the other hand, there was also the
sweetness of the flute? Remember Rajendra Kumar in Geet or Jackie Shroff's Hero, where the flute is suggestive of the
love between him and the heroine.
I for one always felt that one of the major reasons for
the failure of any film was ineffective background music. I for one, yes, pay complete
attention and appreciate the sounds in film and am always aware when the soundtrack
fails the scene and never forget it either…… but other film-goers I am sure,
most likely, don’t even notice and probably not care either. If they did they
would realize that it plays a huge role in creating the entire ambiance of the films.
It is the soul of the film and carries the story ahead and merges with the
story. Just imagine scenes without ambiance sound. Take a few of films for example.
Can you imagine Dhoom without its
dhoom dhoom and bikes roaring sounds or even Jaws stalking
the waters without that deadly music build-up or imagine Sholay’s scene between Amitabh & Jaya without the mouth-organ
playing or the very silence before AK Hangal says “itna sanaata kyon hai bhai”. Most
filmmakers know this and use it to their advantage to heighten drama.
Action and emotions are entwined and when the score is
used skillfully it can cover up for a lot in a film, but some of the film
makers just ignore that aspect using ready made ghise-pitte tracks used for hundred years or totally mismatching the scenes........ and
yes as I said before, I do notice. If film
makers realize that there are more like me out there paying attention to the
background score of every scene then maybe, just maybe, they would treat background music with a bit more of seriousness
for the entire film. After all the background music can make or break the best
of a film if not used effectively in a film.